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Korean traditional dance, Beommu (Buddhist dance) |
Korea is a nation closely connected to Buddhism. Having started in the Goryeo dynasty (935-1392) during the Middle Ages, Buddhism had been the state religion for centuries.
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Beommu origins are that of a Buddhist ritual dance, divided into four main acts.
The first act is Nabi (butterfly) chum. The act describes the elements of Buddhist teachings and because the butterfly is symbolic of the religion, the dance takes on special meaning. Dancers face each other in groups of two, four and six, with gently rhythmic movements.
The second act is Barachum, which means protection for Buddha. Here the body and spirit are holy places and the dance focuses on these two elements. Nabichum (dancers) are not ornately decorated as in other traditional dances; instead they wear normal monkĄ¯s clothing, called Jang Sam and Gasa.
The third is Beobgochum. Beobgo is a very important musical instrument for rituals in Buddhism, and its sound emanates out in increments with the dancersĄ¯ steps in tow. The act shows the spirit of joy and the ritual of celebration of Buddha. This is apparent in the movements being more pronounced and bright, and yet, dancers wear normal monkĄ¯s clothing.
The fourth is a Tajuchum, symbolizing the oath of training. Eight pillars refer to the eight training courses for a monk. The right hand grasps a thin stick, which is beaten on the eight pillars as the dancer spins around to the music.
This dance is completely unlike other performances. Simplistic movements are emphasized and the dress is symbolically sparse of ornamentation. The four acts represent that which is Beommu, a guide in the expression of gladness, so rare in the real world. The rituals and traditions are so in tune with Buddhist thought and philosophy that audiences are awe-stricken by the end.
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20-02-2002 |
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